10/03/2026
Argentine DJ/producer GRUUVE heads to Dennis Cruz’s BotaniQ imprint for the first time with his ‘Weird Call’ EP, delivering his signature blend of hypnotic grooves and percussion-led house. Known for avoiding generic formulas, the Barcelona-based talent adds a fresh, dynamic voice to the label’s growing catalogue, continuing the label’s mission of delivering groove-driven, club-focused music with character, depth, and energy at its core.
Hailing from Mar Del Plata, GRUUVE has steadily built a reputation since his breakthrough in 2016 with the ‘Wrong File’ EP on Deeperfect, releasing on respected labels including Jamie Jones’ Paradise, DOSMUNDOS, MÜSE, and his own MUUV imprint. With backing from some of the scene’s leading artists, he arrives on BotaniQ with both a proven track record and a forward-looking approach, bringing his percussion-driven sound to the label’s young and growing catalogue.
Q: Please introduce yourself
My name is Tomás, better known as Gruuve. I’m an Argentine DJ and producer currently based in Barcelona. My career started with production when I was around 17, experimenting with FL Studio, and I quickly began DJing as well.
Over the years, I’ve been lucky enough to travel a lot and release music on some of the best electronic music labels.
Q: One person you'd dream to have a coffee with?
Ale Sergi. He’s an Argentine musician, producer, and DJ I really admire. He’s part of a very well-known band called Miranda! that makes electro pop. I’d love to have a coffee with him and spend time in the studio watching how he works, because he’s deeply involved in the creation of his music, not only from the composition side but also the production side. I think I would learn a lot.
Q: If you could have any superpower, what would it be and why?
Teleportation. Being able to be on the other side of the world in seconds sounds incredible to me. I could also sneak into backstage without paying, haha.
Q: If you would have been given the chance to do a film score, what movie would you choose and why?
Pulp Fiction. I'm a big fan of Quentin Tarantino and this film I think is his best. The dialogues, the stories, everything is perfect. And has some iconic scenes. Definitely would be a blast being part of it.
Q: Who has been the most influential in your music career? And why?
Dennis Cruz, without a doubt. I’ve been in touch with him for a long time and I’ve always followed his career very closely. Besides always supporting my music, I’ve felt very identified with him because his productions have always been very original, which is something I deeply admire. We also share similar styles in some way, and that makes me feel even closer to him and see him as a strong reference.
Q: Tell us about your journey, what got you to where you are today?
It started with DJing locally, then slowly moving into production. Years of learning, failing, improving. Relocating to Barcelona opened new doors, new collaborations, and international exposure. Consistency and patience played a big role.
Q: What’s one piece of advice you’d give to someone just starting out their career in music?
Focus on developing your own identity. Trends change constantly. If you chase them, you’ll always be behind.
Q: Can you recall a DJ set or performance of yours that remains unforgettable to you? Where did it take place, and what makes it stand out among all others?
Mirage in Paris. It was my first gig outside of Spain. The venue was very warm and intimate, and the energy was incredible. I was able to play a lot of my own music that day, and it felt like a dream. It was a beautiful feeling, like realizing that I’ve been doing things the right way.
Q: How has your music style evolved over the years?
Since I started producing, I’ve always been seduced by House. My first productions had some Techno influence, they were darker and not as groove-oriented. But as I kept listening to more styles, I naturally gravitated toward the rhythmic side of House, the more joyful and fun energy it has.
When I started feeling more comfortable with my productions, I began experimenting more, using sounds from other genres, even outside electronic music, while always maintaining the groove and focusing on making club music. It’s hard for me to define my current sound because I’m experimenting a lot, but I always prioritize rhythm and texture beyond whatever genre I’m working in. And of course, I’m always thinking about creating a sound that works on the dance floor.
Q: If you were to venture into another music genre, which one would you choose and why?
I’d love to be part of an indie pop band and take care of assembling all the sounds, adding textures and ideas to the songs.
Q: Could you name 3 tracks that got you into electronic music and why?
1- Nice7 – Point.
This track marked a before and after in my productions. I remember thinking, “This is what I want to do.”
2- Tiësto – Infinity.
There were several tracks from that era that really shaped me, and this is one of them. At that time, I didn’t know much about electronic music, and those were my first real encounters with the genre.
3- Bob Sinclar – World, Hold On.
Another classic that pushed me to want to make music.
Q: Can you recommend a hidden gem in your home country that would be perfect for a rave?
Patagonia. The landscapes are dramatic and almost surreal. An open-air rave surrounded by mountains and pure nature would be unforgettable.
Q: Could you tell us about your upcoming releases and plans for the year?
At the time of this interview, I have a single coming out this summer on my label MUUV that’s quite different from what I’ve been doing, maybe a bit more commercial but very danceable. I also have a confirmed EP coming out on Deeperfect, my second home, with a remix by Jay de Lys. I’m really excited about that release because I truly love those tracks. I also have a lot of unreleased music that doesn’t have a home yet.
Q: Can you share a fun fact about yourself that most of your listeners are probably unaware of?
I played football for 15 years and it was basically my life until I was 20. I had an incredible future ahead of me, but it required a level of sacrifice I wasn’t willing to make. When I discovered music, I completely stopped playing professionally.
Gruuve - Weird Call EP [Botaniq]